Home » Posts tagged 'media'
Tag Archives: media
“Who are you?
Please, tell me anything you would like to.”
This narrative is the story of an encounter. It is her narrative, it is mine, it is ours, it is the present. How could we represent it?
“Narrative is radical, creating us at the very moment it is being created.” (Morrison, 1993)
How do I connect with someone at a first encounter? What is the meaning of our experiences? How could the narrative be voiced without being manipulated by the producer?
“Perceiving something from two different angles creates a split in awareness” (Anzaldua, 2003, p.549).
The process of making this video was the whole purpose. The final production simply engages the audience to listen, listen, and listen again.
What narrative(s) are you hearing? Are you certain? At which moment, do you connect with the voice? What does listening means? What does understanding means? How do multimodal artistic pieces impact your life? How do you build from it?
If a space for possibilities is created, youth will take the opportunity.
“We have the power because we are together in speech and action, and because possibility spreads before us, and because there are boundaries to break through.” (Maxine Greene, 1982, p.9)
Now, plug your headphone, click on the link, and listen.
Anzaldua, G.A. (2003). now let us shift. This bridge we call home. (p. 540-579).
Greene, M. (1982). Public Education and the Public space. In Educational Researcher.
Morisson, T. (1993). The Nobel Prize in Literature 1993. Retrieved from: http://www.nobelprize.org/nobel_prizes/literature/laureates/1993/morrison-lecture.html
Being there is a term that came up a lot in our conversations in the YMEJ graduate seminar this year. In discussing ways to re-imagine experiences for court involved youth, our conversations often circled back to the support networks people require in order to live. Michel Bérubé (1996) makes a similar point in his book, Life as we Know It about his family and his son Jamie who has down syndrome. In his discussion of Jamie’s growth and development Bérubé notes that people with labeled disabilities are not the only ones who require a strong support network in order to survive and thrive. In fact, everyone benefits from such a network.
Our conversations in YMEJ centered on how to “be there” for a court involved young person, and for each other. We discussed the importance for all people (and especially young people) of having at least one person in your life who is going to stand by you no matter what. Beam (2013) has a similar theme when she quotes a participant’s phrase: “You gotta rock with a kid all the way”.
For me, the phrase “Being there” brings up memories of a movie with the same title starring Peter Sellars (the last movie released while he was alive). The film is a comedy, but also poignant in conceptualizing the phrase being there. The main arch of the film is that Chance (Sellar’s character), a gardener for a large estate has always been there. For all intents he is a non-entity, yet when people meet him, they mistake him for the owner of the estate and begin projecting their own thoughts and ideas about him. My point in bringing up the film (beyond the fact that it is fantastic and I highly recommend watching it) is that being there is itself a passive sentiment. I do not mean this as a critique, but to point out the multitude of ways to support another person without infusing your own thoughts, ideas, actions etc. As the movie highlights, being there is a passive, yet powerful act.
It is especially powerful when you consider the complications that inundate the various systems for court-involved youth. Being there for someone, rocking with them all the way, sounds somewhat simplistic. Of course, people engaging in this work will tell you it is far from simple. In truth, sometimes being there is not enough. But it is a place to start and something I believe, all people can decide to do. I think it helps when you collaborate, if you are going to be there for a young person, you need to have someone who is there for you.
In the YMEJ seminar we created a community that is by no means perfect, but I do think it is comprised of people who are willing to be there for each other. Being there for each other and by extension the people in our lives, we begin to weave a powerful network. It helps me sustain through the difficulties of this work. It helps me imagine the possibilities for making small shifts in the larger systems. This work cannot be done alone. Being there for each other is an integral first step.
The YMEJ graduate year-long seminar ended this week with an exhibition in Russell Library. Each member of our course conducted a year-long inquiry through participation in the course and a mentoring experience. Lalitha, one of the members of the teaching team, wrote a note to us on the course blog entitled, Becoming… which focused on our continued growth and development during the course and beyond. In the text, Arts, Media and Justice co-edited by Lalitha Vasudevan and Tiffany DeJaynes, Vasudevan quotes Maxine Greene “I am what I am not yet”. Though I am at the end of my experience in the YMEJ course, I do not see the work as finished and I look forward to building upon my experience as I continue my doctoral career. Since I began my course work at TC I have begun to look more deeply and pay more attention, one area that YMEJ helped me hone was my attention to media and the different types of media that are produced, specifically around issues of court involved youth.
In my own work, I am sinking myself into disability studies in education and the possibilities this stance provides for thinking about teaching and learning for all young people. Therefore, when I saw the recent print advertisement for New Alternatives for Children (NAC), I felt it was a perfect connection between the YMEJ course and my own interest in disability studies. New Alternatives for Children is a “child welfare agency child welfare agency exclusively devoted to serving children with severe disabilities and chronic illnesses” (http://www.digitaljournal.com/pr/1854796).
The recent ad campaign (both print and televised) is produced by Grey New York and is titled, “Rethinking Foster Care” and geared at educating (or perhaps re-educating) New Yorkers about foster care in the city and especially for those young people with labeled disabilities. First, how do we as recent participants in YMEJ seminar ourselves involved (and for many committed to) in re-thinking or re-imagining space for court involved youth analyze a video spot, such as the one for NAC? Their campaign is called, “Rethinking Foster Care” but based on the video, I do not think they are rethinking the experience of foster care for young people with labeled disabilities. Instead, I would argue they are perpetuating deficit-based conceptualizations of the young people the organization aims to serve. This is a difficulty and beauty of interdisciplinary work. As terms or ideas stretch across different ideologies and philosophies, it is up to the people using them to make an attempt at conversation, collaboration and shared understanding. Difficult work and that is also messy.
My first viewing of the television spot brought me back to something Cris Beam (2013) writes about in To the End of June when she discusses the different reasons people adopt children. One reason Beam discusses is altruism. Mary, a participant in her book states, “People should do it because the kids need. Otherwise, they are going to be disappointed” (p. 94). I think advertisements like the one for NAC complicates this statement because of the way people with labeled disabilities are positioned throughout history. Often seen as the neediest of the needy, in fact, sometimes this is referred to as narcissism (Siebers, 2008) and becomes an albatross for a person with a labeled disability who requires help and support. But not due to vanity or self-love, as it is sometimes positioned in society. And it is true, kids do need and the NAC commercial makes this clear. It also has an underlying savior mission.
Since the disability rights movements in the 1960’s and 70’s and the development of the scholarly field of disability studies people have been analyzing and theorizing about the disability itself. Many disability studies scholars view disability as a socially constructed and note that the environment in which a person with a disability lives is disabling. This takes the concept of disability outside of the person, moving away from a medical model that maintains disability as a problem within a person that should/could be fixed. While the NAC commercial does not position youth in foster care with disabilities as needing to be fixed, they do use the term special several times. Making the claim that a special child needs a special parent. Furthermore, the article states that many young people with disabilities live in hospitals or other long term care facilities because their parents are unable to care for them http://www.digitaljournal.com/pr/1854796).
I wonder (as Beam discusses in her book) what types of supports and structures should be offered to birth families to support care for all children? Also, what do we learn from the distinction made between types of children and how they are positioned through foster care/adoption? How does this support thinking about our own definition of re-thinking or re-imagining? Finally, as we (the YMEJ graduate seminar students) are becoming how do we continue to use this class to inform our future teaching, research, and ways of being in the world?
Here is a link to the television spot: http://vimeo.com/92176294
More information of New Alternatives for Children: https://www.nackidscan.org/what_we_do/index.php
Information on the advertising agency: http://grey.com/us
If you’re in NYC, come and visit our exhibition, “Inquiry into Educational Justice,” featuring multimodal publications produced by this year’s cohort of YMEJ Seminar graduate students. In these publications, the YMEJ students explore a variety of issues and topics related to educational justice and draw on a variety of media and multimodal resources to bring their yearlong inquiries to life for a broader audience.
The exhibition is part of YMEJ’s commitment to public pedagogy and was made possible by the material and technical resources and support of EdLab at Teachers College, who helped us bring our aesthetic visions into reality.
Where: M. W. Offit Family Gallery, 3rd Floor, Teachers College (525 W. 120th St., 10027)
When: Monday, May 12th through Monday, June 2nd
Learn more about the exhibition here; and please let us know what you think if you do visit.
(photos from our opening reception soon to come!)
The winter premiere of the ABC Family show “The Fosters” is set for tonight (Monday, January 13th) — part two of the first season of a show that has captured people’s attention with its varied representations of underrepresented narratives: lesbian parents, trans-racial adoption, and youth in foster care. At the heart of the show is the (not at all simple) idea of family — as a reminder, the trailer for the winter premiere (airing tonight at 9:00 EST on ABC Family) opens with the question: “how do you define family?” (watch below)
If you are new to the show, you can view the first ten episodes on the ABC Family website. There are complicated family dynamics, and in all fairness there are more than a few “hollywood” elements intended to keep the viewer hooked. But I continue to appreciate the range of delicate issues that the show’s producers seem to be willing to tackle, albeit somewhat imperfectly:
- the role of biological parents in the lives of children they have placed in foster care
- range of portrayals of caring adults
- sibling relationships (biological, forged through foster care, and others)
- range and variation in what constitutes a “normal” adolescence
- constraints as well as affordances of a child welfare institution like foster care, where not everyone fits a stereotype (i.e. savior complex, uncaring grunt, abuser of power, etc.)
- nuanced representations of law enforcement
- multi-racial families
I’m hoping to do a bit more blogging about the show this spring, and would love to know what others think as well. In prep for tonight’s winter premiere, here’s a sneak peek of an exchange between two new siblings:
And for another reflection on family, check out the latest blog post by a member of the YMEJ family, Emily Bailin: Love Letter, Part II: Reflections on Mentoring a Court-Involved Young Person
See you on the flipside!
We started blogging late this summer and over the course of the past several months, the YMEJ Project Team has been joined by some members of the current cohort of YMEJ graduate students in contributing to this blog. They are:
- Emily Bailin
- Nicole Blandford
- Emeline Brylinski
- Katie Newhouse
- Laura Vernikoff
- Kelly Gavin Zuckerman
Click on their avatars (to the right, over there…) to read additional posts by them and stay tuned for more from us in 2014.
Collectively, we are educators, researchers, community members, adults in the lives of youth, and committed to the wellbeing of young people across multiple institutions; what has brought us together through the YMEJ Seminar, in particular, is our shared interest in better understanding the various contours and nuances of the lives, institutional navigations, challenges, possibilities, educational trajectories, dreams, and desires of young people involved with the foster care and/or juvenile justice system.
Below is a list of posts that seemed to catch your attention over the past several months. Check them out, pass them on, and feel free to suggest additional topics and resources for us to learn and blog about.
- Engaging Youth as Active Participants In/For Social Change: a teaser for YMEJ Member Tara Conley’s presentation for the Racial Literacy Roundtable Series at Teachers College, Columbia University on the creative and socially engaged approach to participatory design in justice-focused work with youth.
- Youth speaking about Stop and Frisk — Views from the reluctant experts: 2013 saw significant attention being given to the NYPD’s policy of “stop and frisk,” intended as a public safety measure but having serious consequences for the mostly Black and Latino male inhabitants of NYC who were disproportionately the focus of this practice. In a related post, Emeline depicts similar challenges that are ongoing in her native France surrounding racial profiling.
- The treatment of children is the focus of this next post, titled Pondering Child Homelessness in the Wake of Dasani, that builds from Andrea Elliot’s widely read 5-part series in the New York Times last month and presents a series of additional resources and connections. We — meaning the YMEJ team — are continuing to ponder this narrative and all the author was able to reveal about child welfare, city policies, and the persistent challenges of poverty through her in-depth profile of this young, 11-year-old girl. We hope to have more to say in the coming weeks and months.
- Another view of our nation’s treatment of children was profiled in the post focusing on child hunger: “Hunger hurts everyone” – A Place at the Table. We include information about the recent cuts to SNAP, links to a PBS special about child hunger and a related documentary, and highlight a university-community partnership headed by Mariana Chilton in an effort to interrupt the effects of poverty and hunger while also aiming to provide research that may catalyze changes to the policies that govern funding decisions at the local, state, and federal levels.
- In addition to Dasani, our imaginations were captured by two young men who were in the news: Avonte Oquendo and Davion Navar Henry Only. In their respective posts, Katie and Nicole raise important questions about how we see and understand the stories of youth enmeshed into large, impersonal bureaucratic systems, and about the ways in which their lives are represented and mediated. Of Avonte, we continued to hear that he was an autistic child who had gone missing and about Davion, we continued to read about the public plea he made in search of a family. Check out both of these posts to learn more about the young men and the institutional structures their situations call into question:
- We were grateful for a collaboration that sprung out of a twitter connection with @PrisonCulture, who, back in August, tweeted a series of youth-led change-making efforts going on nationwide. We compiled these resources into a handy list, and received additional recommendations via the blog and twitter that were also added: Youth Making Change Across the Country. This is just a drop in the bucket, and in 2014 we plan to profile several more organizations and groups who are working tirelessly to “be the change [they] wish to see in the world.”
- In addition to the above list of youth-led efforts, we also learned of institutional and community-based efforts to strengthen the lives of youth across settings, in the form of mentoring, higher education, and arts-infused activism. Learn more about these efforts in these posts:
- Finally, our attention was captivated by a book released earlier this year by author Cris Beam, who details the experiences of children and families ensnared in the child welfare and foster care system in her book “To the End of June: The Intimate Life of American Foster Care.” Reading her book took our own inquiries about care, family, home, and institutions to a variety of places and resources, which we have gathered in our post: Neverending “June” — Or: The burden of care
There you have it — our top 10 (ok, if you were really counting, I snuck in a few more than 10…) posts from 2013. Thanks for being a great audience and we look forward to sharing more thoughts and dialogue with you in the year to come.
Wishing you a healthy, safe, and inspired 2014!
The YMEJ Team.
“In a culture that promises equality but delivers hierarchy, everyone is risk rich, everyone a victim and a perpetrator.”
(Mc Dermott, et al., 2009, p.103)
We cannot talk about youth media and educational justice without pointing out the unbalanced authority and power owned by men in uniform. As it is the case in many countries, ID control based on appearance, often labeled “racial profiling” or “stop and frisk,” is a plague. Some communities are facing this struggle everyday, and consequently develop hostile feelings toward police who do not appear to be protective but to be oppressive.
In France, a magistrate once said: “We don’t realize that this is the ID control itself that provokes crimes. At first, we have a person who did nothing; he was not supposed to be controlled and ID-checked, but then, at the end of the day, he is pursued by justice for a crime directly incited because of the ID control.” (Bonelli, 2003, p.40)
– Black people are 6 times more likely to be controlled than a white person. – North-Africans are 8 times more likely to be controlled. – Youth are 7.9 times more likely to be controlled than adults.
On this topic, the Open Society Foundation started to research and advocate against racial profiling in France. They made a video, Equality Betrayed: The Impact of Ethnic Profiling in France, that voiced the narrative of French people who cannot count anymore the number of times they have been arrested because of their skin colors. (View the video at the end of this post; click on YouTube’s closed captioning for English subtitles.)
Stop and Frisk in France, as well as here and in many other countries, raises never-ending issues. In this atmosphere, only fear dominates. This is a fear from both sides: from the youth and from the police. A loss of trust, from both sides.
This fact raises many more questions: when are we going to exit the vicious circle that puts youth labeled “at-risk” at risk? How can educational technology help us to rethink unequal relationships of power in democracy? How can creative media production link police’s narratives as oppressed and oppressor with court-involved youths’ narratives of oppressor and oppressed?
Bonelli, L. 2003. Une vision policière de la société, In Manière de voir 71. Le Monde Diplomatique, October-November 2003.
McDermott, R., Raley, J. D., Seyer-Ochi, I. (2009). Race and Class in a Culture of Risk. Review Of Research In Education, 33(1), 101-116. Retrieved from: http://rre.sagepub.com/content/33/1/101
The Fresh Eyes Photography Project is a unique New Mexico-based organization that seeks to engage youth at three incarceration facilities with arts-making. In particular, the focus of Fresh Eyes is photography with project teachers and staff leading two, 10-week workshops in each facility during the course of the year. Guided by the mantra, “You have the ability to change the outcome,” the project’s mission is to provide court-involved youth with the tools and support to see the world anew. It is their belief that engaging in digital photography will help the young people with whom they work successfully re-enter society with the confidence that they have a real place in their community.
Bokeh, the visual arts blog of the Juvenile Justice Information Exchange recently profiled the work of Fresh Eyes artists in a piece entitled “Capturing Captivity From the Inside.” Along with providing a curated compilation of photographs from the Fresh Eyes gallery, Katy McCarthy writes,
The images are startlingly anonymous — no faces, no full names or details like family photos and no books. And yet, even the simplicity of two hands in mittens clasped together is somehow painful. Is it a naïve attempt at symbolizing affection or a moment of insight into the kid’s yearning for touch and intimacy?
An unnaturally indigo sky is streaked by a jet stream framed by the intersection of two imposing rooflines. A pink-veined sphere is caught in mid-air, in the background two big trees with outstretched limbs distract the eye only briefly from a tiny bit of fencing in the bottom right corner. The photos are compositionally dynamic, with great consideration paid to color. Still, the architecture of incarceration permeates.
McCarthy’s phrase “the architecture of incarceration” is haunting, reminding readers and viewers of the setting and context that frames the work and lives of these young people, yet it is important to note that sterility and impersonality do not define these artists. In the complete Fresh Eyes gallery from which McCarthy draws her collection, there are also images of hope and humanity, of beauty and movement— evocative gestures to a brighter future. Individually and collectively, the work of Fresh Eyes artists invite viewers into aspects of the life-world that these young people find meaningful. I know that I am thankful for their offering and hope that others are also moved by their vision.
For More Information: